Location: J.A. Studio - Los Angeles, CA
Here is an idea that took a little while to coordinate and a long while to actually accomplish. The idea is always the easy part! Special thanks to Joey for helping set this up and borrowing his camera to get a second angle (below).
These are the sorts of projects where it helps to have a light designed for drawing! Animation is one of the main reasons I started making my Night-Writer product. After the 20th frame, no matter how much experience you have in animating, the mind and body begin to get fatigued. Muscles begin to cramp and it makes finishing the project more difficult to achieve. Luckily a hand cramp is not something I have at this point, thanks to the ergonomic design of my Night-Writer tool.
So, how does one animate this sort of thing?
Step one for me is usually sketching out some expressive stick-figures for each frame in the animation. It doesn't have to look pretty, but the movements have to appear natural:
Doing this type of work is almost identical to drawing a flip-book. I will say it's a little tougher with light because you can't see what you've illustrated and it has to be life-sized in order to interact with life-sized props.
For stationary animations it's easier in the sense that we're not moving around the camera each frame or moving around the character. To do more dynamic animations like on my 'licensing page', I often use markers to move each piece of the scene one step at a time, sometimes its just the character that moves, other times it's both the character and the camera moving for every frame.
What song do you think this skeleton is drumming to?
Here's a full time-lapse of the drawing process: