Location: Pine Mountain, CA
The other night I checked out a nearby spot that has a burned down section of the forest. A stark reminder of what can happen over the Summer when the weather is hot, dry, and windy.
This must have happened a handful of years back, you can see smaller growth making a comeback but it could be many more years until we see trees here again.
Here's a blend I did of all the frames in the animation above so you can see the frame by frames. The steps are a little wonky, but hey - he's on fire! Fire effect produced with red El Tape.
The next light-art challenge is a different type of photo-merge. This one is done in-camera during a long-exposure. It's essentially a double exposure using the lens-cap and two tripods.
Light-painters call it the 'Lens-cap Trick'.
The best way to accomplish this 'Lens-cap Trick' yourself is to have two tripods with the same quick-release plate, that way you can quickly set up different positions and remove the camera and set it up easily on another, just remember to cap your lens while you move the camera from one location to the next and re-adjust your focus each time.
If you're in the market for a killer tripod that won't break the bank, check out this lightweight and ridiculously strong Pro-series 'Dolica' Carbon Fiber Tripod for about $100. I've been using the same model for the past year or so and I am thinking of getting another soon - for this price it can't really be beat! Other carbon fiber tripods can cost 5x the price!
Back to the 'Lens-cap Trick', first set up the tripods in two different locations, I chose one up close to a fireplace (close focus) and another further away from the camera to draw the heart (long focus).
The idea is to line up the two separate compositions so that they are relatively seamless and look like one surreal photograph. It requires getting the exposure accurate and in focus for both composites - this takes a bit of trial and error to get just right - you have to remember the focal length for each exposure.
I recommend getting a good shot of the plate first, then trying the light-art until it's lined-up correctly separately, after these are both dialed in, then go for the make of both. Here are my practice shots, I try expose a little darker so that the blend works out:
Sometimes it's the simple things that are most difficult! This heart took quite a few tries to get just right, but now I have a sweet burning heart .gif:
Here is my end result:
After the make, I wanted to try another more ambitious shot where I set the tripod up outside in my backyard by an interesting V-shaped tree.
For the image below it was more like 3 exposures - First I exposed the stove (lit w bare Night-Writer), then I capped the lens and started a small fire in the stove. Next, I took the lens cap off to expose the flames (2nd exposure) and capped it after the fire had burned a bit. Lastly, I moved the camera to the outside where I refocused and exposed for the 3rd time toward the 'V-shaped' tree in my backyard and drew in the light-skeleton with a clear-tipped Night-Writer.
Give it a try the next time you're in the right place for it!
The 'Lens-cap Trick' is one of the more advanced techniques for light-art and takes a bit longer to master than almost any other kind of shot, so please be patient and give yourself plenty of time to try and fail... If you don't give up, you will eventually succeed. Stay Bright!