Arches National Park

Location: Arches National Park, Utah

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Title: Dragonfly at Delicate Arch

After a grueling two and a half mile ascent, the last thing we expected to find was crowds after dark at delicate arch. It became immediately apparent that we were not the only ones with the great idea to photograph the Milky Way Galaxy as it rose behind Utah's current license-plate art in real life.

For the image above there was some heavy post-processing to remove other photographers from the final image. I'm very happy with the way it turned out and did not think it would even be possible to shoot this idea at the place in person - thanks technology!

What we saw that night on location resembled a rave, with murmurs of photographers quietly talking amongst themselves about how the person 50 yards away was messing up their high ISO shot with their spotlights on the arch. Just as one person would stop with their high-powered lights, another would begin 20 yards away. I set up my camera too, mainly just to let other night-photographers know what it might look like during a typical summer weekend, a bit mobbed:

ravers

It was comical to eavesdrop on photographer's conversations and would have made a funny South Park episode about the burgeoning night-photographer trend we are seeing across the National Parks during these summer months. Lots of passive-aggressive comments from the peanut gallery, times like these I just kind of toss my hands in the air and tell myself 'what can you do?'.

It was a nice night, but if I had to do again, I'd go in the off-season.

35mm Light-paintings

Location: Southwestern US

Title: Reflecting on a Sad Memory // Location: Joshua Tree, CA

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I've recently developed a roll of 35mm which I brought with me on a trip through the Southwestern US and some areas of the California Coast. 

I often keep a camera loaded with a roll of Portra 400 ISO in my bag and take it out on just the right occasions. It costs a few dollars per image just to get this thing developed and scanned, so I'm a bit conservative when it comes to shooting.

Usually, I take the 36 images per roll over a few months and by the time I actually fill it with long exposures, I've forgotten most of what I had captured to begin with. I like the surprise of it all, and you truly have no idea what you've captured for months. It's a very un-attached way of capturing images, and as I've mentioned before, the negatives for film do not lie in the way that digital photographs can (ie: photoshopping).

For this roll, it worked out very well. I'll tally this up to beginner's luck due to my first time shooting with the late 70's era Canon A-1 and it's 50mm lens, which produced some interesting reflections with the LED light entering and bouncing out of the camera. Overall, I really like the aesthetic and it brings a more organic feel to the media. The colors seem to seep into other tones and it gives the content another layer of character.

Title: Amethyst Dinosaur // Location: Dead Horse Point, UT

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For the shot above I mixed it up a bit and used a small Amethyst crystal that we bought at a rock shop in Moab, Utah in place of a color-tip for my Night-Writer. It had some strange and unintended color-effects on the landscape, taking blue hour straight into purple hour! The view at Dead Horse Point close to the entrance to Canyonlands National Park was an incredible backdrop to see in person, inspiring for sure!

Title: Endless Grind // Location: Monument Valley, UT

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I saw that handrail leading into the valley and couldn't get this image of a skateboarding skeleton grinding it out of my head.

The last rays of light were hitting the rail in an interesting way, highlighting the metal edge all the way into the distance through twists, turns, and kinks. Toward the end of the rail it looks like the material turns into a car's light and continues toward infinity. I felt like it was a good metaphor for riding out life's twists, turns, and kinks. 

Title: Best Buds // Location: Joshua Tree, CA

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Title: Goblin Slayer // Location: Goblin Valley, UT

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Title: False Kiva Hot Tub // Location: Canyonlands, UT

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Title: Rainbow Tree // Location: Angeles Crest, CA

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Title: Raven Rooster Mockingbird // Location: Santa Barbara, CA

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Title: Sharing a View // Location: Bryce Canyon, UT

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Title: Tree of Light (35mm) // Location: Santa Barbara, CA

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Title: Goombasaurus // Location: Valley of Fire, NV

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Thanks for viewing! If you'd like to check out more film light-paintings, you can see my entire film collection right here.

Zion Zebra

Location: Zion National Park, UT / Settings: (Composite of 2 images) Light art at F5.6, ISO 50, 319 seconds. Landscape at F2.8, ISO 1600, 15 seconds.

This image was an idea I've been thinking about for some time. I keep trying to think of animals that I haven't done already - Zebra was a big one on that list, and how perfect - Zion.

I thought it would have to be in black and white, but after visiting the location, I decided to do the Zebra in color instead. The natural lines were too great not to have contrasted in black and white! Happy with how this came together using the Night-Writer V.2 prototype. 

I blended two images together to create this image - a black and white of the landscape (high ISO, low F stop setting) along with the colorful Zebra light-painting (low ISO, high F stop setting). I feel like this creates a more visible 'balance of detail' contained within the image. For more info on this technique, visit the EDU page - it's addressed in Question number 5 at the bottom of the page.

composite

Astro Bandit and I went on a little hike during the day, scope out this incredible layers of earth:

Saw some autumn color in the wash. A nice change from the usual foliage in Los Angeles.

Check out other Light-Animals along with Printing options in the Gallery below: