Spectral Triceratops Passes Time

Location: Sedona, AZ / Settings: F.16, ISO 1600, 217 seconds

Gear: Canon 6DRokinon 14mm LensManfrotto TripodRemote Shutter-release, and Proto Night-Writer.

For this shot, I was trying to capture part of the landscape in Sedona from Schnebly Hill, but was having difficulty because of the clouds blocking the moonlight. 

I opted for a high ISO and high Fstop to achieve this look, I like the way a long-exposure can capture slow movements - you can start to see some patterns emerge in the way the clouds flow, like an upside-down river.

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Great light shark

Location: Los Angeles, CA / Settings: F16, ISO 100, 53 seconds

Gear: Canon 6D,  24-70mm LensManfrotto TripodRemote Shutter-release and blue-tipped Night-Writer.

For a shot like this, it's as easy as turning out all the lights in your room and bumping the Fstop up to 16 at ISO 100 - use the 'bulb-mode' camera setting for a leisurely illustration pace.

I've been testing out some of my new Night-Writer color-tips this week and I like the way the colors are working out - I may release them as soon as next week.

An added bonus is the texture that it adds to higher F-stop images like my light-shark above! Looking forward to making more texture-focused tips for the light-pen in the near-future.

Here's a looks at all of the different colors together - they will come in packs of 6 - ROYGBV.

Away Team

Location: Red Rock Canyon, CA / Settings: F8, ISO 100, 707 second exposure.

Info on how this shot was created:

Gear: Canon 6DRokinon 14mm LensManfrotto TripodRemote Shutter-release and Night-Writer.

At close to a 12 minute exposure, these spectral skeleton images are a tough card to play - so I usually do them last in a night's shoot. I think each color may evolve into a character.

Skelebuddies in the Fog

Location: Encinal Canyon - Malibu, CA / Settings: F8, ISO 100, 581 second exposure

Info on how this shot was created:

Gear: Canon 6D24-70mm LensManfrotto TripodRemote Shutter-release and Proto Light-pen.

This photo was all about taking advantage of the weather - I was driving through Encinal Canyon on a road that connects the Valley of Los Angeles to the Beaches of Malibu, when a dense fog appeared. Noting the opportunity, I pulled over to shoot one long exposure - a shot I had in mind for some time - rainbow light skeletons in a row.

For placement issues, I know I needed a lot of space - so I shot wide and hoped to capture some car trails - that's what the white streaking lights are (frame left). I started with the white skeleton and side-stepped about 3 feet for each other skeleton.. But soon realized I may have started a bit too far over once I got to the blue character. 

I did my best to place the last two purple and pink skeletons left of where I began with the white and I'm happy they didn't overlap - this was nearly a ten minute exposure.

If you'd like to see the full collection of light skeletons, check out the Shiny Bones Gallery.

Shots of Color

Location: Torrey Pines Beach - San Diego, CA / Settings: F6.3, ISO 100, 204 seconds

shots of color

I'm hoping that the light-pen tool I've been designing for the past few years is going to make light-art a bit more interesting.

For many years I've been using different LEDs for different colors - stopping the illustration to switch tools for every color in the dark - it's really annoying and does a good job at breaking my concentration.

So I've come up with a solution - a light-pen that can change through many colors with a click of your thumb. This (image above) was the first I created using the prototype - which is still very slowly being worked on - meeting by meeting, phase by phase. Not done yet, not even close.

I like to think of it like a rough gem - it looks like any old rock now, but with a little refining and polishing, it could be great! 

Innovation is a trying process, but in my mind's eye, it is a crystal clear vision. 

torrey pines coastline

A foggy coast looking south to La Jolla Shores in San Diego, CA.

United Skeletons

Rainbow Plesiosaur

Location: Torrey Pines State Beach - San Diego, CA / Settings: F5.6, ISO 200, 292 second exposure.

This is a bit different from my other light-fossil work, this is the first one where I've used the full color spectrum.

The reason behind this is that I've been working on a new light-pen tool with the help of a 3d printing space in LA to make a light-pen that can toggle through colors of the rainbow with the click of your thumb as you draw - without changing writing tools or fidgeting with awkward buttons.

There's a long road ahead toward the goldilocks model of this tool, but it's well on it's way and you can start to see some of it's progress here. Very excited to share more about this project soon.