Flipping Out

Location: Pine Mountain, CA

See more in  animation / licensing  collection

See more in animation / licensing collection

It's good to try new things, so I brought a step-ladder with me on my most recent night mission during the last full moon.

The few extra steps gave me enough height to animate my red light-skeleton running up the walls ala Gene Kelly from 'Singing In The Rain'. 

I used a remote controlled color-changing 'LED Pod' to color the shadowed areas blue and a Night-Writer with red color-tip for the skeleton character. 

For these type of time and energy dependent projects it helps to have a well defined process and stick to it through the length of the shoot, otherwise the animation will never get done. You've got to find your groove.

Mine was roughly 3 seconds of blue light exposure from the 'LED-Pod', and then drawing out the skeleton while the full moon illuminated the background, each long exposure frame was about 150 seconds.

Here's a kinetic blend of the different drawings together:

kinetic LP

Here's a quick GoPro time-lapse of the process:

The next image was a special one for my Mother, it was Mother's Day after all.

Here's a 'Mama Bear and Cubs' walking along a fallen tree under the full moon.

Mama Bear

Thanks for reading and stay bright light fam!

Night-photography during Winter in Death Valley, CA

Location: Death Valley, CA

The animation above was shot under a recent Supermoon on Racetrack Playa inside Death Valley National Park, you can make out my shadow rotating throughout the frames as the camera pans right under the brighter-than-usual full moon's light.

Make no mistake, getting out to this spot is a mission - 26 miles of narrow jaw-chattering washboard roads, a few stray boulders, and sharp volcanic rocks will definitely give you a run for your money if you don't have the right tires on your vehicle. 

The last time I was out here was for another Supermoon in 2012.

Winter in Death Valley is great for night-photographers due to it getting dark so early and the relatively mild temperatures. It's nice during the day and it gets a bit cold at night, if you're prepared for it, it can be a lot of fun.

The national park is vast (covering over 5200 sq miles!) and offers a variety of desert landscapes. It has a bit of a micro-climate effect going on in certain parts of the park - for instance, the racetrack playa was 37 degrees at night while the area around stovepipe wells was 65 degrees. Big difference!

Let's talk locations, this image above 'Light Widow II' was shot around Badwater Basin, the lowest point in North America at around 280 feet below Sea Level.

When it gets windy here, you get salt in your hair, you get salt everywhere!

Badwater Basin at night lights up with stars, here I used a Vixen Polarie Star-tracker to capture the Galaxy and composite my light-painting 'Lemur Demeanor' (above). If you look at the image larger by clicking on it, you can see the meteor I caught in the middle of the Milky Way toward the top - Lucky!

Another killer spot in the park is the Mesquite Dunes, there are a few good dunes around the park but this one looks great during sunrise if you manage to wake up for it. Bring a jacket bc this place is freezing cold before the sun rises. This 'Smile' (above) sums up my feeling of being out there at that moment.

I got to add a yellow 'Triceratops on the Dunes' to my Light-Fossils series before the sun rose, casting red and blue light from the sides during the 213 second exposure made the dunes look extra wild.

Flash forward to the night and I got some 'Buzzards' to rest on a dried out Mesquite tree around a bloody carcass using my Night-Writer LED tool. 

Almost anywhere within the park is interesting if you're willing to walk out to get to it. Be advised that distance in the park is more than meets the eye - areas that look just 100 yards away can actually be a few miles or more in some cases, bring water, a hat, and maybe a compass if you decide to trek way out there!

Here a 'Green Galimimus' walks along cracked earth under the backlight of our Galaxy, drawn with Night-Writer plus some blue and green color-tips.

Here I am goofing around during the day (thanks Astrobandit for the snap) it was around 80 degrees in the picture (below). You can see what I mean about vast distances in the park.

why did the light-painter cross the road

This road was like many others in the park, when you're here it's good to know where the few gas stations are - Stovepipe Wells or Furnace Creek, your nearest fuel could be a hundred miles away at any given moment in your travels here.

Next location on the list is Zabriskie Point - a strange viewpoint where the land transforms into a psychedelic vision, especially at sunset!

I wrote my twin-brother Ross's name here during blue hour.

From here out I'm offering light-writing services to anyone willing to pay me $100 for a high-res digital download of a custom-made (10 characters or less) light-painting at an interesting location along my travels. Need a unique gift with a personal touch? Say it with light!

Another spot along the road yields an interesting view of a small rock formation juxtaposed with the Milky Way. Here is where I created 'Ibex' for my 'Animals' series.

The panorama above is 'Ubehebe Crater' it's a volcanic crater that's about a half mile across and 500 feet deep, this is under a supermoon and the light is coming from almost directly above. If you look closely you can make out some stars.

The last image I'll leave you with is 'Star Stinger III' in my growing 'Insects' series.

Racetrack Playa in Death Valley, California is one of the most Zen places I've visited, it feels like a blank canvas - perfect for light-painting!

For more info on Death Valley, CA check out the park's website.

Full Moon Hiking

Location: Rainbow Basin, CA / Settings: F5.6, ISO 100, 317 seconds

For this shot I used my trusty Canon 6D - (here's a pretty awesome bundle deal) coupled with my 24-70mm lens (another pretty sweet bundle deal). This was the last shot on my camera for the night - the battery died immediately after the shutter closed.

I used TCB's RGB light-pen for this illustration taken in the middle of the desert under a full moon shortly after the lunar eclipse. Here's a killer DIY tutorial on how to make an RGB light-pen for yourself.

To see the full collection of Light Skeletons, click the Gallery link below:




Out for Blood

Location: Rainbow Basin - Barstow, CA / Settings: (Composite) Light art at F6.3, ISO 100, 163 seconds. Super Blood Moon at F6.3, ISO 3200, 6 seconds.

Gear: Canon 6DManfrotto Tripod24-70mm Lensremote shutter, and proto Night-Writer.

Last one from the Super Blood Moon - promise.

I just had to get in a light-skeleton on this momentous occasion. The next time a super blood moon comes around, I will be 50 years old.

If you do plan on shooting an event like this, here are a few tips I've learned from my own efforts:

1) Plan ahead - I wanted an interesting location, so I used Google's satellite-view map to find a cool layered geological locale a few hours out from Los Angeles.

2) Pack your bags - Make sure you have all the gear you need to make the shot happen - telephoto lens, remote shutter, tripod, LED lights, all that and a bag of chips or apples (if you get hungry). Water also - that's an important one in the desert!

3) Show up early - Getting there while it's still light out is crucial - Scout around the location and take pics on your phone for reference later when it's pitch-black out and you are scrambling to get the right angle.

Check out the full collection of Light-Skeletons below: