Low-light Photography Roundup Winter 2018

Location: Los Padres National Forest

It's been a while since my last blog post, so I figured I'd make up for it with this Winter roundup of my best low light photography and light paintings since then!

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Here's Astrobandit and I kicking it off. We've been doing more collaborative projects lately. 

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What's New?

I've been testing out a new LED device I'm developing called a 'Color-Caster'. The tool is used for lighting a subject or the environment, you can draw with it too of course. Think of it as a bigger and more powerful version of the Night-Writer - a related but different type of tool.

Here it is in use. I colored in the tree with some purple and highlighted the background red-orange (below). The skeletons were drawn in with a Night-Writer + color tips.

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This is what the tool looks like if you draw with it pointed towards the camera. It doesn't work for detailed precision on/off stuff because this tool has a either on or off switch but it's great for one line continuous drawing. The colors are changed through use of a color-slider that you control with your hand: super-manual!

Here is a color test with 4 different color-sliders I've made. I'm working on developing a bunch of 6-color combo bars to maximize creative potential with the tool.

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The light without the color slider is very bright! Here is what it looks like directed at the camera - quite dense and quick to flare! This was shot around f.16 (below).

Color-Caster works well for psychedelic studio or portrait lighting. Quickly change colors and flick on/off for some wild visual effects.

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Here's a rough version of what the Color-Caster looks like in its current state, it uses a 9v battery and a large LED along with color-slider which can be stored below the tool (and give it some sweet color accents). Of course it still needs some work, but it works well and I'm excited about further testing!

If you have any suggestions for me or color schemes you'd like to see tested out, give me a shout at contact@dariustwin.com or leave a comment below!

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New Light-Fossils

I've created a few keepers in the 'Light-Fossils' department, so far my favorites are this 'Sabre-toothed Tiger' captured during blue hour (below).

The timing has to be just right for these type of images. You can easily go over or under on an exposure when working in these type of dynamic lighting conditions. My guess paid off here!

Speaking of dynamic lighting, fog presents it's own unique challenges! Carry a lens tissue because you may need to wipe off your lense after every capture. I was happy to create a nice brontosaurus skeleton in front of an abandoned camp during this dense fog. I love the way you can see the colored light dissipate into the moisture!

Super Blue Blood Moon

We woke up around 4am and did a few once in a lifetime shots like these below. I'll kick it off with this one, it has become a personal favorite(below). 

Of course I had to try a light-fossil. here is a Woolly Mammoth with the 'Super Blue Blood Moon' on its back.

Light-Painting in the Snow

Since we've moved out to the mountains we've gotten a lot more weather than we did in Los Angeles. When it's cold and raining in LA, it is often snowing an hour North on the mountain! here are some light-paintings I did in ~11 degree weather. Layering up is an absolute must along with a facemask for the wind! I especially liked this one of the polar bears. On my way back I noticed footsteps in the snow of a bobcat that had been following my tracks.

Here I trekked out a bit and illustrated a snowfox above the mountain village.

Had to light paint a 'frosty the snowman' ¯\_(ツ)_/¯

More things to come, I will be blogging a bit more during the Spring once we get to do some road trips again! Until then, stay bright and I hope you have enjoyed this light update!

In the path of totality - Great American Eclipse - 2017

Location: Shaniko, OR

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This sort of opportunity only comes once in a great while and I was excited to see it happen in person! After following all the news reports, double checking the social-media accounts of well known Oregon-based photographers, doing calculations on Nasa's eclipse-app, as well as checking traffic reports, closures and warnings from Oregon Dept of Transportation, we finally decided to hop off the fence here in Southern California and just go for it!

Astrobandit and I drove 12 hours North to Madras, Oregon starting at 6am. The goal was to be in the middle of the totality path for the 2017 August 21st Solar Eclipse.

Once we got there, it was so packed full of people that we got a bit claustrophobic and decided to go to an area a half hour North but still inside the Totality zone, a little place that I'd been to once before on a roadtrip to a music festival back in 2011, a small historic-looking western town called 'Shaniko'. Here's what it looked like to me nearly 7 years ago during a delirious (we drove all night) yet magic sunrise:

When we arrived at 9pm on August 20th, the small ghost town was in full-on party mode. There was a band playing in the middle of the historic buildings and people dancing in the streets. People were camped out by the old rusted automobiles and it seemed like everyone was having a really great time. I stayed up to snap this pano of the old barn with the Milky Way above it. It felt like the completion of a circle:

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That night we slept in our car and woke up to what must have been thousands more that had arrived in the middle of the night or perhaps early that morning. The people parked next to us had driven from Washington and the people next to them had flown in from Japan! The general mood was filled with anticipation and a common sense of purpose, everyone was really nice to each other! It was a beautiful thing to witness in person because all I've read in the news recently is doom and gloom, this was the exact opposite of that!

At 10:20am is when it began, not that either of us could see the transition much.. We had opted not to get solar glasses - this was a pretty glaring mistake in the transitional phases of the eclipse, but I figured the most important part was the totality.

Here's a video I recorded on my phone (and a few other cameras) of the totality happening, one of the things that was a little unexpected was how much the temperature changed during totality, it must have dropped 20-30 degrees in just a few minutes! Also, it produced an incredible 360 degree sunset!

'Wow' pretty much sums it up:

Here are some of my favorite images we captured of the eclipse, I was trying to take some long-exposures to get stars in the background but that proved totally impossible because the sun was still so bright behind the moon!

I've listed the cameras used to shoot the various images below - iPhone 7 Plus, Canon 6D with 70mm lens + UV filter, Canon 7D with 300mm lens plus 10-stop ND filter, and a Sony A6000 with 200mm lens:

The traffic exiting Madras, Oregon was some of the worst I've ever experienced - historic for sure.

Bottlenecking everywhere due to all the 2 lane roads and massive camps of people all leaving at the same time. Add on a few small towns in the middle with a few traffic lights that were not designed to accommodate millions of people and we were looking at about 10hrs of 2mph traffic from Madras to La Pine - a terrible price to pay but an surreal experience I'll never forget.

Thanks for reading! If you'd like to see more nature related imagery, check out my landscapes gallery here!