Superbloom 2017

Location: Borrego Springs / Lake Elsinore, CA

I feel like I've been hibernating for a bit.. But all that's about to change with Spring in the air! Here's a quick animated loop I made with the most recent version of my Night-Writer prototype at Walker Canyon nearby Lake Elsinore.

You can see these flowers off the side of the 15 freeway and they make the hills look like they were covered with Cheetos from a distance. Closer up, they are actually vast fields of wild California Poppies and a very popular place to visit for photographers.

The beauty of this bloom is a sight to behold, supposedly the best in over a decade.

All these flower fields in bloom gave me an idea for a light-drawing, so I did this quick sketch and have been thinking of it for a little bit. It seemed appropriate.

It took a few tries to get right, there was a whole process of set lighting for the actual creation, I'll go over the whole process below the image:

First, I used a remote triggered pod-light to cast red up from the base of the flowers around my soon to be light-drawing for about 10 seconds. Then, I highlighted the area in front of the flowers and up the hill from the left and right side (off frame) w a high-powered white light. After this, I began drawing in my fire-flower with an un-filtered Night-Writer for the starry eyes and color-filtered Night-Writer for the flower itself switching colors from yellow to red and then green. Lastly, I used red EL Wire for the fireball.

Out in the desert of Borrego Springs, we visited Coyote Canyon and Henderson Canyon. So many varieties of bright colorful flowers in the normally reddish brown areas.

For the next light-drawing, I decided to focus some energy on my 'Insects' series. Here's a popular (or un-popular) and spring-appropriate character, the Mighty Grasshopper.

The last image I will leave you with was made with a weird color-wheel device I created over the weekend with some color-filters and a skateboard bearing.

The tool was kind of difficult to work with, but it functioned well enough to draw this 'High Flower' waving goodnight.

Night-photography during Winter in Death Valley, CA

Location: Death Valley, CA

The animation above was shot under a recent Supermoon on Racetrack Playa inside Death Valley National Park, you can make out my shadow rotating throughout the frames as the camera pans right under the brighter-than-usual full moon's light.

Make no mistake, getting out to this spot is a mission - 26 miles of narrow jaw-chattering washboard roads, a few stray boulders, and sharp volcanic rocks will definitely give you a run for your money if you don't have the right tires on your vehicle. 

The last time I was out here was for another Supermoon in 2012.

Winter in Death Valley is great for night-photographers due to it getting dark so early and the relatively mild temperatures. It's nice during the day and it gets a bit cold at night, if you're prepared for it, it can be a lot of fun.

The national park is vast (covering over 5200 sq miles!) and offers a variety of desert landscapes. It has a bit of a micro-climate effect going on in certain parts of the park - for instance, the racetrack playa was 37 degrees at night while the area around stovepipe wells was 65 degrees. Big difference!

Let's talk locations, this image above 'Light Widow II' was shot around Badwater Basin, the lowest point in North America at around 280 feet below Sea Level.

When it gets windy here, you get salt in your hair, you get salt everywhere!

Badwater Basin at night lights up with stars, here I used a Vixen Polarie Star-tracker to capture the Galaxy and composite my light-painting 'Lemur Demeanor' (above). If you look at the image larger by clicking on it, you can see the meteor I caught in the middle of the Milky Way toward the top - Lucky!

Another killer spot in the park is the Mesquite Dunes, there are a few good dunes around the park but this one looks great during sunrise if you manage to wake up for it. Bring a jacket bc this place is freezing cold before the sun rises. This 'Smile' (above) sums up my feeling of being out there at that moment.

I got to add a yellow 'Triceratops on the Dunes' to my Light-Fossils series before the sun rose, casting red and blue light from the sides during the 213 second exposure made the dunes look extra wild.

Flash forward to the night and I got some 'Buzzards' to rest on a dried out Mesquite tree around a bloody carcass using my Night-Writer LED tool. 

Almost anywhere within the park is interesting if you're willing to walk out to get to it. Be advised that distance in the park is more than meets the eye - areas that look just 100 yards away can actually be a few miles or more in some cases, bring water, a hat, and maybe a compass if you decide to trek way out there!

Here a 'Green Galimimus' walks along cracked earth under the backlight of our Galaxy, drawn with Night-Writer plus some blue and green color-tips.

Here I am goofing around during the day (thanks Astrobandit for the snap) it was around 80 degrees in the picture (below). You can see what I mean about vast distances in the park.

why did the light-painter cross the road

This road was like many others in the park, when you're here it's good to know where the few gas stations are - Stovepipe Wells or Furnace Creek, your nearest fuel could be a hundred miles away at any given moment in your travels here.

Next location on the list is Zabriskie Point - a strange viewpoint where the land transforms into a psychedelic vision, especially at sunset!

I wrote my twin-brother Ross's name here during blue hour.

From here out I'm offering light-writing services to anyone willing to pay me $100 for a high-res digital download of a custom-made (10 characters or less) light-painting at an interesting location along my travels. Need a unique gift with a personal touch? Say it with light!

Another spot along the road yields an interesting view of a small rock formation juxtaposed with the Milky Way. Here is where I created 'Ibex' for my 'Animals' series.

The panorama above is 'Ubehebe Crater' it's a volcanic crater that's about a half mile across and 500 feet deep, this is under a supermoon and the light is coming from almost directly above. If you look closely you can make out some stars.

The last image I'll leave you with is 'Star Stinger III' in my growing 'Insects' series.

Racetrack Playa in Death Valley, California is one of the most Zen places I've visited, it feels like a blank canvas - perfect for light-painting!

For more info on Death Valley, CA check out the park's website.