Best Photo Gear for Light-Painting Photography

Location: Earth

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Here's a similar buyer's guide list I did in Spring of last year. These are quick Amazon.com links and prices to the products I use already, or would buy if I was looking to upgrade. This list is intended for people looking for great products used in low-light photography.

1. Cameras:

Sony a7riii - $3,198 (body only) - Top dog among consumer mirrorless options, it has all the important features that pro/consumer photographers and video creators wanted - 4k video, great in low light, super dynamic range, and much better battery life than it's predecessor.

Nikon D850 - $3,296 (body only) - Top dog of the tried and true camera brands, top ratings also.

Canon EOS 5D Mark IV - $3,200 (body only).

Olympus OM-D E-M5 Mark II - $800 (body only).

Sony A6000 - $500 (with 16-50mm lens).

2. Lenses:

Nikon 14-24mm f2.8 - $1,696 - Big and heavy, but beautiful.

Canon 24-70mm f2.8 - $1,700 - Good versatility.

Rokinon 14mm f2.8 (for Canon) - $189 - Cheap and good, what a combo!

3. Tripod:

Neewer 66in Carbon Fiber Tripod - $95 - Carries up to 26lbs.

4. LED Lights:

Night-Writer Kit - $65 - I use this for drawing detailed light-lines during a long exposure.

SOLARAY PRO ZX-1 - $50 - High power / rechargeable LED for casting light and getting a focus.

LED Filters & Adaptors - lightpaintingbrushes.com

 

Joshua Tree at Night

Location: Joshua Tree National Park - Joshua Tree, CA

During this time of year in Joshua Tree the temperatures can drop dramatically at night, the higher elevation (around 2700 ft) certainly adds to this effect. It can be 60 degrees during the day and 30 degrees once the sun goes down, make sure you pack a good jacket and layer-up if you plan to visit. 

For the photograph above 'Stand Tall', I used a new light tool I made especially for taller creations. For scale, the left skeleton is about 6 feet tall and the right one is about nine to ten feet tall. I used an old antenna, an LED and single wire to create an extendable light source I could draw with. Later I wrapped it in clear fishing line for a more diffused look:

Sunrise and sunsets create vibrant transitional colors in the sky, and at night the backdrop of space itself appears bright and unobstructed by city lights in the distance. 

The occasional passing car lights define narrow paths cut through the park, highlighting mounds of giant boulders.

setting up the shootout

Here I am setting up the next shot, I wanted a western shootout look with one character in the foreground and another far off in the background eating lead.

I was hoping to get a bit of that fading sunset color in the shot.

You can get a feel for about how much time went by taking a look at the length of the star trails. The 'Midnight Showdown' scene (below) took 370 seconds:

Later that night we headed to a really cool place called Cactus Moon Retreat, and I drew a cactus and moon in one of my favorite rooms in the property using my newly designed jumbo Night-Writer tips.

cactus moon

Here's a sneak peak at what some new modular (and larger) color-tips look like up close, I plan on making these available soon but need to fix a few minor things about the way they clasp together first.

Here's a short GoPro video I captured while trying to create the images in this post, hopefully it gives you a good idea of what making light-drawings is all about.

We'll finish this post with the 'Devil you Know', made with a red modular tip and a really bright white LED to create some flares over the eyes.

Click Here for more articles on Joshua Tree, CA.

 

Night-photography in the Valley of Fire

Location: Valley of Fire State Park - Moapa Valley, NV

In one door and out the other.

These 'cabins' (above) were built for travelers in the 1930's by the Civilian Conservation Corps (CCC), a public work relief program made in response to the Great Depression under Franklin D Roosevelt as part of the New Deal.

Here we are at Valley of Fire (VOF) State Park in Moapa Valley, NV. It's blue hour (above) and I'm thinking of where to light-paint for the night.

I took this photo (above) during a Supermoon, just as the park rangers stopped by and told us to leave this section of the park because it closes at sunset.. I hate it when parks close at sunset.

toast people

During the day, you can walk through some of the hiking paths inside the park and see many signs of pre-history chiseled into the rock like these petroglyphs above. 

I'm not sure what this one means (above) but here's my interpretation - the toast-people are allies.

round rocks

You'll see some unusual rock formations throughout the park, everything is made of sandstone and can be easily eroded with wind, water, and other forces of nature.

This results in psychedelic swirling colors of red, yellow, orange, black, pink, and white rock. The circular stones (above) were about the size of walnuts, you could see they've been formed over a very long time. 

This looked like a fitting circle for a vanity shot of my Night-Writer. Those colors rock (*ba-dum-tss).

Light-skeletons 'In the House' - 243 second exposure / F 7.1 / ISO 160

Under a bright full moon I used the darkest shadows in and around the house to create some color contrasts with my skeletons in the Cabins.

'Capturing a Light-Fossil' - 547 second exposure / F9 / ISO 160

This is at a spot called 'The Beehives', it's toward an entrance of the park and was being well lit by the Supermoon above. Climbing around on those rocks was fun.

'Bee Yourself' - 547 second exposure / F8 / ISO 160

Of course I couldn't resist putting a Bee on guard of one of the hive-looking rock formations. Interestingly, the exposure time is exactly the same as the previous image.

'Dinosaur Island' - 328 second exposure / F9 / ISO 160

This lonesome rock looked like a good place for my lonesome Light-Fossil.

Same place as the prior two images, the Beehive rocks were my favorite night-spot on this particular trip.

Pablo App

Locations: Los Angeles, CA | Berlin, Germany | Death Valley, CA

Here's an image I shot in Death Valley, CA at the Mesquite Dunes with a new long exposure video App called PABLO available for iPhone OS now via this LINK (Shot on iPhone 6 using a tripod).

The main point of this App is the process, it records the movement of your light live in-camera - pretty neat!

PABLO App is simple and user friendly - it works best w a tripod - tap the camera icon to get started and tap the red button to start recording. Tap the red button again and the video is over. Make sure to save & title your work, or delete if it's no good and share at your convenience!

I wasn't very good at the first few exposures with the App, one thing to note is you're definitely going to want a nice diffused light because it's easy to blow out such a tiny sensor with brighter torches (see below for example of blown out light). I did this skeleton in an abandoned hospital in Berlin - yes, it was creepy!

You can see how the App records casted light and directed light (video is sped up a bit).

Here's a quick one of the President Elect.. I used a Night-Writer w purple tip for this one but I think it was a bit too close for comfort so the light was a little bright in spots.

The last video I'll share is a quick one - a simple phrase that is all the rage right now. Now give this App a try tonight and see what you can come up with. 

Try some light-painting with your family over the holidays :)

Nocturnal Netherlands

Location: Netherlands - The Hague & Amsterdam

Hello again, this is the first post I've made in over a month, it feels good to be back in the states after a long travel abroad! Let's start with my trip to the Netherlands where I met up with fellow light-art photographer Hugo Baptista

He welcomed myself and Astrobandit to his home and showed us a local park that he thought we might like to take some photos at, so we stayed up late this night and came up with the following animation (above) along w a few other gems.

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This (above) was the first image of the night, we were walking down this tree-lined path when suddenly a park employee truck cast some light from behind the trees and gave me an idea for a photo! Without delay I unpacked my camera gear and set up for this shot - my 'October Skeletons' with some nice orange light from behind - thanks Hugo for the backlighting here!  

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As you can see, the fog began to grow thick late into the night, this presents some interesting lighting opportunities to silhouette figures or trees and give a mysterious feel to the environment. 

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Before we hop over to Amsterdam, I wanted to share this 'Tree Rex' image that took a bit of coordination between myself and Hugo. He did the orange backlighting combined with the front 45 degree blue lighting on each side the trees for added depth. Then I added in my pink T. Rex for a pop of dinosaur in the center using a Night-Writer w pink color-tip.

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I can tell you it wasn't easy to get this shot of Amsterdam at night, not only because of the light-pollution, but because of all the bicycles and foot traffic! I was dodging selfie-sticks and bikes throughout this image, it's not my best light-writing but it definitely captures the vibrant life of the city! Old and new together in a hodgepodge of tourism combined with a long history of trade, war, art, and culture. 

Amsterdam II

Here (above) on a more quiet street I was able to capture a better light-font with the backdrop of one of Amsterdam's famous canals that permeate the city, but I think I like the last one better overall due to the character of the city in it. Tell me if you agree, and stay tuned for more because the next city we visit is Berlin in Germany. Until then, stay bright my light friends!

Spectral Triceratops Passes Time

Location: Sedona, AZ / Settings: F.16, ISO 1600, 217 seconds

Gear: Canon 6DRokinon 14mm LensManfrotto TripodRemote Shutter-release, and Proto Night-Writer.

For this shot, I was trying to capture part of the landscape in Sedona from Schnebly Hill, but was having difficulty because of the clouds blocking the moonlight. 

I opted for a high ISO and high Fstop to achieve this look, I like the way a long-exposure can capture slow movements - you can start to see some patterns emerge in the way the clouds flow, like an upside-down river.

Similar posts:

Rainbow Rex

Location: White Mountains, CA / Settings: (Composite) Light art at F16, ISO 100, 272 seconds. Cloudy surroundings at F2.8, ISO 1600, 15 seconds.

Gear: Canon 6DRokinon 14mm LensManfrotto TripodRemote Shutter-release, and Proto Night-Writer.

These type of multi-colored Light Fossils are probably the most difficult. I think the best one I have to date is this plesiosaur. I have tried many - but only these two are worth showing.

This dino was supposed to be blue and gold. Somewhere along the way it switched to a variety of other colors and I just went with it.

Part of light-art and photography in general is just getting out and exploring the world - to see and capture things that take a journey to be in the presence of. This was one of those places.

We stopped by this location earlier in the evening to scope out the landscape and to snap a picture of this horse that was feeding on some grass.

horse

When we got close it started to pose in an aggressive manner, so we took our cue and left it in peace. Later horse!

horsey