Low-light Photography Roundup Winter 2018

Location: Los Padres National Forest

It's been a while since my last blog post, so I figured I'd make up for it with this Winter roundup of my best low light photography and light paintings since then!

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Here's Astrobandit and I kicking it off. We've been doing more collaborative projects lately. 

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What's New?

I've been testing out a new LED device I'm developing called a 'Color-Caster'. The tool is used for lighting a subject or the environment, you can draw with it too of course. Think of it as a bigger and more powerful version of the Night-Writer - a related but different type of tool.

Here it is in use. I colored in the tree with some purple and highlighted the background red-orange (below). The skeletons were drawn in with a Night-Writer + color tips.

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This is what the tool looks like if you draw with it pointed towards the camera. It doesn't work for detailed precision on/off stuff because this tool has a either on or off switch but it's great for one line continuous drawing. The colors are changed through use of a color-slider that you control with your hand: super-manual!

Here is a color test with 4 different color-sliders I've made. I'm working on developing a bunch of 6-color combo bars to maximize creative potential with the tool.

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The light without the color slider is very bright! Here is what it looks like directed at the camera - quite dense and quick to flare! This was shot around f.16 (below).

Color-Caster works well for psychedelic studio or portrait lighting. Quickly change colors and flick on/off for some wild visual effects.

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Here's a rough version of what the Color-Caster looks like in its current state, it uses a 9v battery and a large LED along with color-slider which can be stored below the tool (and give it some sweet color accents). Of course it still needs some work, but it works well and I'm excited about further testing!

If you have any suggestions for me or color schemes you'd like to see tested out, give me a shout at contact@dariustwin.com or leave a comment below!

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New Light-Fossils

I've created a few keepers in the 'Light-Fossils' department, so far my favorites are this 'Sabre-toothed Tiger' captured during blue hour (below).

The timing has to be just right for these type of images. You can easily go over or under on an exposure when working in these type of dynamic lighting conditions. My guess paid off here!

Speaking of dynamic lighting, fog presents it's own unique challenges! Carry a lens tissue because you may need to wipe off your lense after every capture. I was happy to create a nice brontosaurus skeleton in front of an abandoned camp during this dense fog. I love the way you can see the colored light dissipate into the moisture!

Super Blue Blood Moon

We woke up around 4am and did a few once in a lifetime shots like these below. I'll kick it off with this one, it has become a personal favorite(below). 

Of course I had to try a light-fossil. here is a Woolly Mammoth with the 'Super Blue Blood Moon' on its back.

Light-Painting in the Snow

Since we've moved out to the mountains we've gotten a lot more weather than we did in Los Angeles. When it's cold and raining in LA, it is often snowing an hour North on the mountain! here are some light-paintings I did in ~11 degree weather. Layering up is an absolute must along with a facemask for the wind! I especially liked this one of the polar bears. On my way back I noticed footsteps in the snow of a bobcat that had been following my tracks.

Here I trekked out a bit and illustrated a snowfox above the mountain village.

Had to light paint a 'frosty the snowman' ¯\_(ツ)_/¯

More things to come, I will be blogging a bit more during the Spring once we get to do some road trips again! Until then, stay bright and I hope you have enjoyed this light update!

Winter Redwoods

Location: Humboldt County, CA - Prairie Creek Redwoods and Avenue of the Giants

Here we are in the freezing Redwoods of the Northernmost coastal areas of California. A place that looks like time was forgotten and Giants remain. Indeed, these trees have been on Earth for around 240 million years.

My personal (probably incorrect) theory is that this was once a part of Pangea hundreds of millions of years ago and most of it broke apart and collapsed into the ocean on part of the Juan De Fuca Plate leaving a tiny portion that remains on the coast of the North American tectonic plate. 

It's fun to think of Dinosaurs once roaming between these trees, but it's another thing to draw them doing it frame by frame in 34 degree weather with a Night-Writer (+ yellow-tip) in the dark.

I sketched this animation frame by frame (below) to make sure the movement was accurate, a triceratops light-fossil is a complicated character, here it is simplified:

sketchy at best

The first thing you have to know about this area is that it's fairly remote and a bit difficult to get to (especially if coming from Los Angeles like us!), be prepared for many hours of windy roads on the 101 past San Francisco, CA.

During this time of year it typically gets cold at night and can be rainy, watch out for black ice on the curvy roads deep in the forest, we tried not to drive on these roads too late into the night.

Our stops along the way up were: Santa Rosa, Willits, Trinidad, Klamath, then we came down the coast visiting Fort Bragg, Tomales Bay, and lastly Big Sur.

 Most light-painting sessions occurred just after sunset and until 9pm, after that it got a bit frosty.

ice cold

Welcome to Winter!

I drew a 'Lost Rudolph' with his nose so bright on an old bridge off the 101 in an area called 'Lost Man Creek'. I like how he looks a little confused here.. This area was pitch black at night, a bit spooky also.

Looks like we've got a hairy situation on our hands here, 'Bigfoot'!

For this image (above) I experimented with a new homemade Night-Writer tip made of cut, sanded, and glued plastic pieces.

I like the texture it added to my bigfoot:

I can't stress the importance enough of scouting a location first before it becomes too dark in the forest.

At night it's difficult to see anything more than 20 feet ahead of you. For the image below I was reaching around in the dark a bit.

Here are some of my 'light-skeletons' hanging around this fallen giant in the night, we'll call them the 'Forest Spirits'.

Looking further into the forest, I had an idea to topographically map the depth of the trees with a high-powered laser, the result is almost exactly as I envisioned, pretty wild!

Here is what 'Laser Vision' looks like.

That will sum up our adventure for now, here's a smiley face for you - Happy Holidays! 

Click Here for more articles about The Redwoods.

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